1944-N No. 2
artwork has formal property
- Evidence class
- AEU editorial mapping
- Confidence
- 90%
- Status
- accepted
Sources: Clyfford Still. 1944-N No. 2. 1944
formal property / reference
Monumental scale
A relative descriptive property for works whose physical size meaningfully affects bodily viewing. It is not a quality rating.
Backlinks
Artists and works using this vocabulary
1951-T No. 3
artwork has formal property
- Evidence class
- AEU editorial mapping
- Confidence
- 90%
- Status
- accepted
Sources: Clyfford Still. 1951-T No. 3. 1951
Abstract Landscape
metadata backlink only
- Evidence class
- AEU editorial mapping
- Confidence
- 50%
- Status
- uncertain
A direct metadata backlink exists, but the foundation fixture does not yet carry a dedicated relationship assertion. Treat this as incomplete evidence rather than inferred fact.
No dedicated relationship source stored; treat as incomplete metadata.
April 4, (Part III)
metadata backlink only
- Evidence class
- AEU editorial mapping
- Confidence
- 50%
- Status
- uncertain
A direct metadata backlink exists, but the foundation fixture does not yet carry a dedicated relationship assertion. Treat this as incomplete evidence rather than inferred fact.
No dedicated relationship source stored; treat as incomplete metadata.
Beta Lambda
artwork has formal property
- Evidence class
- AEU editorial mapping
- Confidence
- 100%
- Status
- accepted
AEU descriptive formal-property mapping; not an institutional movement classification.
Sources: Morris Louis. Beta Lambda. 1961
Big Green
artwork has formal property
- Evidence class
- AEU editorial mapping
- Confidence
- 100%
- Status
- accepted
AEU descriptive formal-property mapping; not an institutional movement classification.
Sources: Alfred Leslie. Big Green. 1957
Blast, I
artwork has formal property
- Evidence class
- AEU editorial mapping
- Confidence
- 90%
- Status
- accepted
Sources: Adolph Gottlieb. Blast, I. 1957
Elegy to the Spanish Republic, 108
artwork has formal property
- Evidence class
- AEU editorial mapping
- Confidence
- 90%
- Status
- accepted
Sources: Robert Motherwell. Elegy to the Spanish Republic, 108. 1965–67
No. 10
artwork has formal property
- Evidence class
- AEU editorial mapping
- Confidence
- 90%
- Status
- accepted
AEU descriptive-property mapping from the current validated record; exposed as editorial unless a dedicated source interpretation relationship already exists.
Sources: Mark Rothko. No. 10. 1950
NY Battle Ground
metadata backlink only
- Evidence class
- AEU editorial mapping
- Confidence
- 50%
- Status
- uncertain
A direct metadata backlink exists, but the foundation fixture does not yet carry a dedicated relationship assertion. Treat this as incomplete evidence rather than inferred fact.
No dedicated relationship source stored; treat as incomplete metadata.
One: Number 31, 1950
artwork has formal property
- Evidence class
- AEU editorial mapping
- Confidence
- 90%
- Status
- accepted
AEU descriptive-property mapping from the current validated record; exposed as editorial unless a dedicated source interpretation relationship already exists.
Sources: Jackson Pollock. One: Number 31, 1950. 1950
The Seasons
artwork has formal property
- Evidence class
- AEU editorial mapping
- Confidence
- 90%
- Status
- accepted
AEU descriptive-property mapping from the current validated record; exposed as editorial unless a dedicated source interpretation relationship already exists.
Sources: Lee Krasner | The Seasons · Lee Krasner
Turnsole
artwork has formal property
- Evidence class
- AEU editorial mapping
- Confidence
- 100%
- Status
- accepted
AEU descriptive formal-property mapping; not an institutional movement classification.
Sources: Kenneth Noland. Turnsole. 1961
Vir Heroicus Sublimis
artwork has formal property
- Evidence class
- AEU editorial mapping
- Confidence
- 90%
- Status
- accepted
Sources: Barnett Newman. Vir Heroicus Sublimis. 1950–51
Washington Crossing the Delaware
artwork has formal property
- Evidence class
- AEU editorial mapping
- Confidence
- 100%
- Status
- accepted
AEU descriptive formal-property mapping; not an institutional movement classification.
Sources: Larry Rivers. Washington Crossing the Delaware. 1953
Winter Bitch
metadata backlink only
- Evidence class
- AEU editorial mapping
- Confidence
- 50%
- Status
- uncertain
A direct metadata backlink exists, but the foundation fixture does not yet carry a dedicated relationship assertion. Treat this as incomplete evidence rather than inferred fact.
No dedicated relationship source stored; treat as incomplete metadata.
Graph
Related records
- One: Number 31, 1950artwork · artwork has formal property
- No. 10artwork · artwork has formal property
- The Seasonsartwork · artwork has formal property
- Vir Heroicus Sublimisartwork · artwork has formal property
- 1944-N No. 2artwork · artwork has formal property
- 1951-T No. 3artwork · artwork has formal property
- Elegy to the Spanish Republic, 108artwork · artwork has formal property
- Blast, Iartwork · artwork has formal property
- Beta Lambdaartwork · artwork has formal property
- Turnsoleartwork · artwork has formal property
- Washington Crossing the Delawareartwork · artwork has formal property
- Big Greenartwork · artwork has formal property
Source register
Direct sources
- Jackson Pollock. One: Number 31, 1950. 1950museum collection · authority tier 1 · verified 2026-09-09Open institutional source ↗
- Lee Krasner | The Seasonsmuseum collection · authority tier 1 · verified 2026-09-09Open institutional source ↗