gendered reception strategy
MoMA states that Hartigan briefly exhibited under the name George Hartigan in an attempt to circumvent prejudice against women artists in the 1950s.
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Artist record / evidence-aware
1922–2008
American painter whose work crossed abstraction and figuration; MoMA also documents gendered prejudice in the 1950s and her brief use of the name George Hartigan.
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MoMA states that Hartigan briefly exhibited under the name George Hartigan in an attempt to circumvent prejudice against women artists in the 1950s.
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