Bed
artwork has formal property
- Evidence class
- AEU editorial mapping
- Confidence
- 100%
- Status
- accepted
AEU descriptive formal-property mapping; not an institutional movement classification.
Sources: Robert Rauschenberg. Bed. 1955
formal property / reference
Figuration–abstraction boundary
A descriptive property for works whose abstract organization coexists with recoverable or debated figurative references.
Backlinks
Artists and works using this vocabulary
Evening Rendezvous
artwork has formal property
- Evidence class
- Source interpretation
- Confidence
- 85%
- Status
- contested
Sources: Evening Rendezvous · Oh Freedom! Norman Lewis
Faced Faces
metadata backlink only
- Evidence class
- AEU editorial mapping
- Confidence
- 50%
- Status
- uncertain
A direct metadata backlink exists, but the foundation fixture does not yet carry a dedicated relationship assertion. Treat this as incomplete evidence rather than inferred fact.
No dedicated relationship source stored; treat as incomplete metadata.
Fighting Bucks
metadata backlink only
- Evidence class
- AEU editorial mapping
- Confidence
- 50%
- Status
- uncertain
A direct metadata backlink exists, but the foundation fixture does not yet carry a dedicated relationship assertion. Treat this as incomplete evidence rather than inferred fact.
No dedicated relationship source stored; treat as incomplete metadata.
Flag
artwork has formal property
- Evidence class
- AEU editorial mapping
- Confidence
- 100%
- Status
- accepted
AEU descriptive formal-property mapping; not an institutional movement classification.
Sources: Jasper Johns. Flag. 1954–55
Morning Bush
metadata backlink only
- Evidence class
- AEU editorial mapping
- Confidence
- 50%
- Status
- uncertain
A direct metadata backlink exists, but the foundation fixture does not yet carry a dedicated relationship assertion. Treat this as incomplete evidence rather than inferred fact.
No dedicated relationship source stored; treat as incomplete metadata.
NY Battle Ground
metadata backlink only
- Evidence class
- AEU editorial mapping
- Confidence
- 50%
- Status
- uncertain
A direct metadata backlink exists, but the foundation fixture does not yet carry a dedicated relationship assertion. Treat this as incomplete evidence rather than inferred fact.
No dedicated relationship source stored; treat as incomplete metadata.
Shinnecock Canal
metadata backlink only
- Evidence class
- AEU editorial mapping
- Confidence
- 50%
- Status
- uncertain
A direct metadata backlink exists, but the foundation fixture does not yet carry a dedicated relationship assertion. Treat this as incomplete evidence rather than inferred fact.
No dedicated relationship source stored; treat as incomplete metadata.
Trail of Tears
metadata backlink only
- Evidence class
- AEU editorial mapping
- Confidence
- 50%
- Status
- uncertain
A direct metadata backlink exists, but the foundation fixture does not yet carry a dedicated relationship assertion. Treat this as incomplete evidence rather than inferred fact.
No dedicated relationship source stored; treat as incomplete metadata.
Walking
metadata backlink only
- Evidence class
- AEU editorial mapping
- Confidence
- 50%
- Status
- uncertain
A direct metadata backlink exists, but the foundation fixture does not yet carry a dedicated relationship assertion. Treat this as incomplete evidence rather than inferred fact.
No dedicated relationship source stored; treat as incomplete metadata.
Washington Crossing the Delaware
artwork has formal property
- Evidence class
- AEU editorial mapping
- Confidence
- 100%
- Status
- accepted
AEU descriptive formal-property mapping; not an institutional movement classification.
Sources: Larry Rivers. Washington Crossing the Delaware. 1953
Woman I
artwork has formal property
- Evidence class
- AEU editorial mapping
- Confidence
- 90%
- Status
- accepted
Sources: Willem de Kooning. Woman I. 1950–52
Evidence
Entity-level claims
Source interpretationmedium certainty
abstraction classification
Evening Rendezvous occupies a boundary between abstract and semi-abstract description in Smithsonian materials.
Multiple recorded positions
abstract
The collection record classifies the subject as Abstract and describes the painting as sufficiently abstract to operate within that language.
semi-abstract
Smithsonian educational material describes Evening Rendezvous as a semi-abstract work because representational and political references remain legible.
Graph
Related records
- Evening Rendezvousartwork · artwork has formal property
- Woman Iartwork · artwork has formal property
- Bedartwork · artwork has formal property
- Flagartwork · artwork has formal property
- Washington Crossing the Delawareartwork · artwork has formal property
Source register
Direct sources
- Evening Rendezvousmuseum collection · authority tier 1 · verified 2026-09-09Open institutional source ↗
- Oh Freedom! Norman Lewismuseum education · authority tier 1 · verified 2026-09-09Open institutional source ↗