Abstract Expressionism Universe
Atlas · Information-dense records, chronology, relationships, evidence, and structured research.
material / reference
Normalized material category: paint.
Backlinks
artwork uses material
Normalized only from explicit catalog medium wording; the verbatim medium string remains authoritative.
Sources: Clyfford Still. 1944-N No. 2. 1944
artwork uses material
Normalized only from explicit catalog medium wording; the verbatim medium string remains authoritative.
Sources: Clyfford Still. 1951-T No. 3. 1951
artwork uses material
AEU normalized material mapping from catalog medium; not a verbatim museum taxonomy claim.
Sources: Felrath Hines. Abstract Landscape. 1964
artwork uses material
Normalized only from explicit catalog medium wording; the verbatim medium string remains authoritative.
Sources: Ad Reinhardt. Abstract Painting. 1963
artwork uses material
Normalized only from explicit catalog medium wording; the verbatim medium string remains authoritative.
Sources: Arshile Gorky. Agony. 1947
artwork uses material
AEU normalized material mapping from the exact source medium string. The mapping is explicit and reviewable; no runtime medium-string inference is used.
Sources: Spotlight on Denver Art Museum’s Women of Abstract Expressionism exhibit
artwork uses material
AEU normalized material mapping from the exact source medium string. The mapping is explicit and reviewable; no runtime medium-string inference is used.
Sources: Ethel Schwabacher. Antigone I. 1958
artwork uses material
Explicit normalization from the catalog medium; no unstated material is inferred.
Sources: Robert Rauschenberg. Bed. 1955
artwork uses material
Explicit normalization from the catalog medium; no unstated material is inferred.
Sources: Alfred Leslie. Big Green. 1957
artwork uses material
Normalized only from explicit catalog medium wording; the verbatim medium string remains authoritative.
Sources: Adolph Gottlieb. Blast, I. 1957
artwork uses material
AEU normalized material mapping from the exact source medium string. The mapping is explicit and reviewable; no runtime medium-string inference is used.
Sources: Spotlight on Denver Art Museum’s Women of Abstract Expressionism exhibit
artwork uses material
Normalized only from explicit catalog medium wording; the verbatim medium string remains authoritative.
Sources: Franz Kline. Chief. 1950
artwork uses material
AEU normalized material mapping from catalog medium; not a verbatim museum taxonomy claim.
Sources: Beauford Delaney. Composition 16. 1954–56
artwork uses material
Normalized only from explicit catalog medium wording; the verbatim medium string remains authoritative.
Sources: William Baziotes. Dwarf. 1947
artwork uses material
Normalized only from explicit catalog medium wording; the verbatim medium string remains authoritative.
Sources: Robert Motherwell. Elegy to the Spanish Republic, 108. 1965–67
artwork uses material
AEU normalized material mapping from the exact institutional catalog medium string. The mapping is explicit and reviewable; no runtime medium-string inference is used.
Sources: Evening Rendezvous · Oh Freedom! Norman Lewis
artwork uses material
Explicit normalization from the catalog medium; no unstated material is inferred.
Sources: Jasper Johns. Flag. 1954–55
artwork uses material
AEU normalized material mapping from the exact source medium string. The mapping is explicit and reviewable; no runtime medium-string inference is used.
Sources: Joan Mitchell. Hudson River Day Line. 1955
artwork uses material
AEU normalized material mapping from catalog medium; not a verbatim museum taxonomy claim.
Sources: Richard Mayhew. Morning Bush. 1960
artwork uses material
AEU normalized material mapping from the exact source medium string. The mapping is explicit and reviewable; no runtime medium-string inference is used.
Sources: Helen Frankenthaler. Mountains and Sea. 1952 · Mountains and Sea, Helen Frankenthaler
artwork uses material
AEU normalized material mapping from the exact source medium string. The mapping is explicit and reviewable; no runtime medium-string inference is used.
Sources: Sonia Gechtoff. Mystery of the Hunt. 1956
artwork uses material
AEU normalized material mapping from the exact institutional catalog medium string. The mapping is explicit and reviewable; no runtime medium-string inference is used.
Sources: Mark Rothko. No. 10. 1950
artwork uses material
AEU normalized material mapping from catalog medium; not a verbatim museum taxonomy claim.
Sources: Jack Whitten. NY Battle Ground. 1967
artwork uses material
AEU normalized material mapping from the exact institutional catalog medium string. The mapping is explicit and reviewable; no runtime medium-string inference is used.
Sources: Jackson Pollock. One: Number 31, 1950. 1950
artwork uses material
Normalized only from explicit catalog medium wording; the verbatim medium string remains authoritative.
Sources: Barnett Newman. Onement I. 1948
artwork uses material
Normalized only from explicit catalog medium wording; the verbatim medium string remains authoritative.
Sources: Philip Guston. Painting. 1954
artwork uses material
Normalized material mapping from the explicit institutional catalog medium; no visual inference.
Sources: Robert Motherwell. Pancho Villa, Dead and Alive. 1943
artwork uses material
AEU normalized material mapping from catalog medium; not a verbatim museum taxonomy claim.
Sources: Norman Lewis. Phantasy II. September 23, 1946
artwork uses material
AEU normalized material mapping from the exact source medium string. The mapping is explicit and reviewable; no runtime medium-string inference is used.
Sources: Judith Godwin. Seated Figure. 1955
artwork uses material
AEU normalized material mapping from the exact source medium string. The mapping is explicit and reviewable; no runtime medium-string inference is used.
Sources: Grace Hartigan. Shinnecock Canal. 1957
artwork uses material
AEU normalized material link derived explicitly from the catalog medium; the catalog string remains authoritative.
Sources: Spatial Whorl · Stretching the Canvas: Eight Decades of Native Painting
artwork uses material
Normalized only from explicit catalog medium wording; the verbatim medium string remains authoritative.
Sources: Hans Hofmann. Spring. 1944–45 (dated on reverse 1940)
artwork uses material
AEU normalized material link derived explicitly from the catalog medium; the catalog string remains authoritative.
Sources: Stretch of Black III
artwork uses material
Normalized only from explicit catalog medium wording; the verbatim medium string remains authoritative.
Sources: Robert Motherwell. The Little Spanish Prison. 1941–44
artwork uses material
AEU normalized material link derived explicitly from the catalog medium; the catalog string remains authoritative.
Sources: The Quiet Land, the Warm Land
artwork uses material
AEU normalized material mapping from the exact source medium string. The mapping is explicit and reviewable; no runtime medium-string inference is used.
Sources: Jay DeFeo. The Rose. 1958–1966
artwork uses material
AEU normalized material mapping from the exact institutional catalog medium string. The mapping is explicit and reviewable; no runtime medium-string inference is used.
Sources: Lee Krasner | The Seasons · Lee Krasner
artwork uses material
AEU normalized material link derived explicitly from the catalog medium; the catalog string remains authoritative.
Sources: Trail of Tears
artwork uses material
AEU normalized material mapping from the exact institutional catalog medium string. The mapping is explicit and reviewable; no runtime medium-string inference is used.
Sources: Untitled by George Morrison
artwork uses material
Normalized only from explicit catalog medium wording; the verbatim medium string remains authoritative.
Sources: Barnett Newman. Vir Heroicus Sublimis. 1950–51
artwork uses material
Explicit normalization from the catalog medium; no unstated material is inferred.
Sources: Larry Rivers. Washington Crossing the Delaware. 1953
artwork uses material
AEU normalized material link derived explicitly from the catalog medium; the catalog string remains authoritative.
Sources: White Environ VI
artwork uses material
AEU normalized material link derived explicitly from the catalog medium; the catalog string remains authoritative.
Sources: White Painting No. 1
artwork uses material
Normalized only from explicit catalog medium wording; the verbatim medium string remains authoritative.
Sources: Willem de Kooning. Woman I. 1950–52
Graph
Source register
ICU / CONNECTED DISCOVERY
Recommendations use ICU's bounded public graph. AEU source relationships keep documented fact, editorial mapping, contextual proximity, and interpretation distinct; proximity never becomes an influence claim.
Loading public connections…
44 current artwork records explicitly link the Oil paint material record. AEU does not infer that link from free-text medium strings.
Evidence IDs: source.moma.pollock-one-31, source.moma.rothko-no-10, source.whitney.krasner-seasons, source.whitney.krasner-artist, source.saam.evening-rendezvous, source.saam.oh-freedom-lewis, source.nga.morrison-untitled, source.moma.work.woman-i, source.moma.work.onement-i, source.moma.work.vir-heroicus, source.moma.work.still-1944-n2, source.moma.work.still-1951-t3, source.moma.work.little-spanish-prison, source.moma.work.elegy-108, source.moma.work.chief, source.moma.work.blast-i, source.moma.work.agony, source.moma.work.spring, source.moma.work.dwarf, source.moma.work.guston-painting, source.moma.work.reinhardt-abstract, source.nea.women-abex-2016, source.whitney.defeo-rose, source.frankenthaler.mountains-sea, source.nga.frankenthaler-mountains-sea, source.sfmoma.gechtoff-mystery, source.nga.godwin-seated, source.moma.hartigan-shinnecock, source.jmf.mitchell-hudson, source.artsy.schwabacher-antigone, source.moma.delaney-composition16, source.saam.hines-abstract-landscape, source.whitney.mayhew-morning-bush, source.studio.mayhew-artist, source.moma.whitten-ny-battle-ground, source.moma.lewis-phantasy-ii, source.nga.smith-stretch-black-iii, source.iaia.cannon-trail-of-tears, source.iaia.lomahaftewa-quiet-land, source.nmai.west-spatial-whorl, source.nmai.stretching-canvas-2019, source.iaia.morrison-white-painting-1, source.iaia.morrison-white-environ-vi, source.moma.rauschenberg-bed, source.moma.jasper-johns-flag, source.moma.rivers-washington-crossing, source.whitney.leslie-big-green, source.moma.motherwell-pancho-villa