Adam
First human figure drawn from biblical tradition and prominently rescued by Christ in Late Byzantine Anastasis imagery.
BIU014 deepens the sacred-figure graph with source-backed saints, archangels, donors, professional attributes, and object-specific uncertainty rather than generic saint-name expansion.
First human figure drawn from biblical tradition and prominently rescued by Christ in Late Byzantine Anastasis imagery.
Apostle central to the Incredulity of Thomas scene, in which the risen Christ invites him to witness the wounds.
Archangel represented in Byzantine art and the original central image around which a surviving group of cloisonné icon-frame medallions was arranged.
An angelic figure with extensive Byzantine visual traditions; BIU001 records the entity without asserting a single fixed attribute set.
Archangel Raphael as explicitly named on the back of the Met processional cross, paired within its ensemble of archangels and saints.
Archangel Uriel as explicitly named on the back of the Met processional cross.
The bishop named by the Greek inscription as donor of the Met processional cross; BIU does not infer a fuller biography from this inscription alone.
Central sacred figure represented through multiple Byzantine iconographic types and narrative scenes.
Emperor firmly identified with Iconoclasm who argued against icons, convened the Council of Hieria in 754, and sponsored major building activity including Hagia Eirene.
Sixth-century emperor represented in the mosaics of San Vitale and associated with major building and artistic patronage across the Byzantine world.
Emperor whose late-seventh-century coinage placed an image of Christ on imperial gold, an important sign of the growing public role of sacred images before Iconoclasm.
Emperor traditionally associated with the beginning of Byzantine Iconoclasm; modern scholarship treats the famous 726/730 Chalke icon-removal story with caution because direct evidence is weak.
Emperor who renewed the imperial ban on religious images in 815, beginning the second phase of Byzantine Iconoclasm.
Ninth-century iconoclast emperor whose reign belonged to the second phase of Iconoclasm; he also patronized architecture and palace decoration.
Empress who convened the pro-image Second Council of Nicaea in 787, reversing the iconoclast Council of Hieria.
Empress represented with her court in the sanctuary mosaics of San Vitale at Ravenna.
Regent for the young Michael III who, with Theoktistos, installed the iconophile patriarch Methodios and restored religious images in 843.
First woman in biblical tradition and prominently rescued with Adam in Late Byzantine Anastasis imagery.
Ninth-century patriarch represented among the holy figures in Hagia Sophia’s post-Iconoclast tympanum mosaics and associated with defense of images.
Theologian and defender of images whose iconophile argument linked the depictability of Christ to the Incarnation.
John the Baptist, represented as an intercessor with Christ and the Virgin in the Deesis.
Iconophile patriarch installed in Constantinople in 843 as religious images were restored after the second Iconoclast phase.
Patriarch associated in primary-source testimony with the removal of mosaics of Christ and saints from the small sekreton near Hagia Sophia between 766 and 769.
Patriarch of Constantinople who preached at Hagia Sophia in 867 in connection with the post-Iconoclast apse mosaic of the Virgin and Child.
The scribe shown receiving dictation from Saint John the Theologian on the early-fifteenth-century Met door panels.
Military saint whose surviving Byzantine images help document the post-Iconoclastic development of recognizable saint types.
Military martyr represented in Byzantine icons; post-Iconoclastic imagery regularly presents soldier saints in military garb.
A bishop saint whose surviving Byzantine icon imagery can combine inscription, halo, book, omophorion, frontal pose, and steady gaze; those clues work together rather than as a single unique marker.
Evangelist and theologian represented in Byzantine icon frames and manuscript traditions.
Evangelist represented in manuscripts and icon frames; later tradition also associated Luke with the Hodegetria image.
Evangelist represented within Byzantine hierarchies of apostles, evangelists, theologians and military saints.
A major saint of Byzantine devotion; BIU001 establishes only the entity shell pending a dedicated sourced profile.
A Byzantine saint securely identified on a twelfth-century cloisonné-enamel roundel in the Met; BIU014 does not infer further attributes beyond the verified object record.
Apostle represented in Byzantine icon frames and among the apostolic witnesses in Koimesis imagery.
Apostle frequently represented with Paul and within narrative cycles; in Koimesis imagery Peter appears among the apostles witnessing the Virgin’s death.
A deacon saint whom the Met identifies as likely Saint Stephen on the Attarouthi chalice; the identification remains qualified rather than certain.
A late-third-century physician martyr identified on the back of a Middle Byzantine processional cross with a medical case and lancet.
Soldier saint represented beside the Virgin and Child in an early encaustic icon preserved at Sinai.
Late Byzantine statesman, scholar and donor shown presenting the renovated Chora church to Christ in a prominent donor mosaic.
Abbot of the Stoudios Monastery who wrote in defense of icons during the second phase of Iconoclasm.
Imperial official and regent who acted with Empress Theodora in the 843 restoration of religious images.
Central sacred figure represented alone, with Christ, and in intercessory and narrative compositions.
Move through explicit edges, visible two-step paths, specialist systems, BIU012 learning, and labeled navigation-synthesis themes. No popularity ranking, opaque similarity score, or personal profiling.
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