Icon with the Crucifixion
Mid-tenth-century Byzantine ivory Crucifixion panel, the surviving central portion of a triptych.
Authentic image bytes are not bundled.
Original museum image bytes were not retained in this build runtime; BIU does not hotlink remote evidence images or generate substitutes. The historical object record remains usable without a remote hotlink or generated substitute.
Object, source, rights, and delivery are separate.
The Metropolitan Museum of Art · 17.190.44
rights verified not bundled
- Title
- Icon with the Crucifixion
- Date
- mid-10th century
- Medium
- Elephant ivory
- Culture
- Byzantine
- Geography
- Made in probably Constantinople
- Classification
- Ivories-Elephant
- Source record
- The Metropolitan Museum of Art object 17.190.44 ↗
- Rights checked
- 2026-09-10 · Public Domain
Recorded conflicts
Preserved registry: museum-object-reference; check current image rights before reuse
Current verification: The current official Met object record marks the image Public Domain and the Met Open Access statement permits unrestricted reuse of public-domain images.
The BIU005 archive snapshot records the current image-rights verification while leaving the preserved BIU003/4 source-registry record unchanged.
Constantinople & Marmara
4th–15th c. Byzantine core; records vary · 1 registered source
Imperial-capital and Marmara/Nicaean context.
Object record: Mid-tenth-century Byzantine ivory Crucifixion panel, the surviving central portion of a triptych. Production place is taken only from explicit museum/graph evidence; current collection is a separate present-location state.
BIU010 does not infer medieval movement from current museum ownership. Any gift/provenance hypothesis must be carried by an explicit source-backed network record.
Political or ecclesiastical context is shown only when linked through explicit graph records.
Object style is not used by itself to draw a transmission arrow.
Current collection/reception is modern context and is not substituted for medieval geography.
Map position, proximity or visual similarity never creates a transmission edge. Follow the named source and explicit relationship records.
Follow explicit geographic and transmission connections.
Places + regional groupings
2 directVerified objects
0 directNo direct edge in this part of the current graph.
Icon types + scenes
1 directMaterials + making
1 directHistory + actors
0 directNo direct edge in this part of the current graph.
Sacred-space evidence
0 directNo direct edge in this part of the current graph.
Concepts + transmission methods
1 directKeep the intermediate evidence visible.
Sources supporting this profile.
Icon with the Crucifixion
Open source ↗
Where can this record lead?
5 bounded direct results · 12 bounded two-step paths · 0 navigation themes
Keep the intermediate record in view.
- Two explicit edges; intermediate record remains visible.
- Icon with the CrucifixionTwo explicit edges; intermediate record remains visible.
uses-materialIvoryuses-materialIcon with Christ Pantokrator (Met 17.190.66) - Icon with the CrucifixionTwo explicit edges; intermediate record remains visible.
uses-materialIvoryuses-materialIcon with the Virgin and Child (Met 17.190.103)
Connect objects, making, and sacred space
BIU navigation synthesis maps Object / objects-collections records to this preserved learning path; this is a learning suggestion, not historical importance.
Open learning step →Connected record
← includes-object-production-evidenceConstantinopolitan Luxury Production Network
Source trail
Icon with the Crucifixion
Open source ↗
ICU / CONNECTED DISCOVERY
Continue through related ideas.
These are bounded editorial connections; paid placement does not influence them.
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